Your typical nice looking, "heart warming" A24 flick...unrealistically precocious kid paired with confused middle-aged man and through turbulence and conflicts they gradually learn from each other and cherish the experience forever --- I have seen this one many times before. The "it's okay to yell, and then yelling out loud" scene in particular is soooo much of a cliche. Cinematography is alright but not really impressive, watching this back to back with Red Rocket the difference is so obvious (ok B&W is at disadvantage but still).The interview bits aren't integrated organically into the story, and it feels like the feel-good, "heartfelt" material got mixed in just for audience appeal.
齐物秋水:106.87.195.67
小维克复排的制作为米勒原剧增色不少至今仍印象深刻:小维克剧场简洁的布景和无死角的三面台、叙述者律师的“间离”效果、马强叔对Eddie的演绎、象征性的肢体语言(这很梅耶荷德)、还有最后的“血雨”(个人认为导演Ivo van Hove借鉴了阿尔托残酷戏剧理论里形体重于台词和把暴力仪式化的观点读剧本的时候觉得最后这一段很一般在舞台上也只能通过打斗场景来表现没想到导演通过叙述者律师念舞台指示并控制节奏最后形象化为一场“血雨”死亡诗社经典台词简直是神来之笔)