Joachim Trier导演作品第四部这样也就倒序补完了其“奥斯陆三部曲”本片虽然在围绕两位主角讲故事但大可看作一类拥有摇滚精神的文学青年极具家园情愫的某种致青春影片的艺术气质在于死党作家二人分别以个人命运独唱属于自己的人生咏叹调画外道白则关联起每位主角配角哼唱出生活的宣叙调切换下的叙述口吻与表达方式很有剧场的味道虚实情节及最后休止部分也为观众开放了极大的猜想余地写实戏剧的尘土气息裹挟着浓郁的文艺情怀一并扑面而来
such a beautiful movie in its own right. magically, first time feel right to have a movie in black and white. often thought childhood is the most carefree period and forgot it's also almost the most sensitive time, compelled to take in the turbulences from surrounding environments, and struggled to cope as much as adults, so not really an easy time in retrospect. this movie covers this topic with such tenderness and well crafted structure, nicely done