I miss Paris Métro. I miss our futile attempts to read the Métro map. I miss Parisians' effortlessly chic outfits and modernistic ads that oddly harmonize with dim, historic stations. I miss taking photos of approaching trains. I miss the feel of déjà vu in old, metallic trains. I miss the amicable chuckles as we mispronounced the stations. I miss the days when my biggest troubles were figuring out where, when and what to explore at Paris. I miss myself.
樱花花花花:171.12.159.129
好久不见大表姐请来的大牌基本没有多少发挥空间基本上每个角色都是极端脸谱化的纸片人除了小李子暴怒控诉的那段以外当然那段也没到值得吹的地步其实整个故事倒是很有思路借着“truly possible events”(海报语吃什么可以让男性变大变粗变长可能发生的真实事件)来展现当代美国社会的众生相借着大表姐被下放劳动、小李子成为主播床上宾把政商界、传媒界和社交媒体用户黑了个遍而影片中展现的那些反智总统、零元购之类的场面在疫情以来就是真实存在但是讽刺实在是太……直白了不够机智幽默不够脑洞大开剪辑这方面导演一定玩得很开心吧花式利用剪辑营造喜剧效果有些地方故意剪得烂显得影片非常不着调也许拍这部电影就是为了告诉观众在圣诞节的前夜能和家人好好坐在一起吃顿饭一起回顾一下今年的故事一起看电影乐一乐